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BTQ’

Video I made to promote the book, namely a political campaign-style spot for my snazzy new hardcover collection MAXIMUM MINIMUM WAGE. Features ace comic cover artist Dave Johnson, Mystery Science Theater 3000‘s Frank Conniff, the lovely Margaret Cho and the likewise lovely actor/voiceover god Phil LaMarr.

MAXIMUM MINIMUM WAGE BLOG LAUNCHED

To support and supplement the upcoming release of MAXIMUM MINIMUM WAGE (Image Comics, March 2013), I have launched a blog that will feature exclusive material, like sketches, photos, Minimum Wage-a-mabilia and more. Check it out!

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BIG NEWS ON THE COMICS FRONT

I am thrilled to announce the upcoming publication of Maximum Minimum Wage, a massive 9 X 12 hardcover incorporating Beg the Question, plus the original 72-page “pilot” graphic novel, Minimum Wage: Book One and the first chapter of its serial run (“Realty Gap”), which wasn’t included in BTQ (for stylistic reasons). All that, plus a color section featuring the cover art from the comic books, sketches and a gallery section of pinups, including all-new ones by Gilbert Hernandez, Jaime Hernandez, Roger Langridge, Guy Davis, Dave Johnson, Peter Bagge, Peter Kuper, Hilary Barta, Hunt Emerson, Dean Haspiel and maybe more (including classic pinups by Mike Mignola, Kevin Nowlan, Dave Cooper, Jill Thompson and more). It will also include surprise bonus material (the “DVD extras,” if you will) to be announced later). This will be THE definitive edition, boasting many newly redrawn panels (and some whole pages), bringing the art up to my current standards. Some of the dialogue has been tweaked, too (as I think I have improved as a writer in the intervening years). It will be released early Spring 2013, from Image Comics, under the aegis of longtime MW fan, friend and comics bigwig, Robert (The Walking Dead) Kirkman. The whole package will weigh in at approximately 372 pages! I am currently working on designing the cover. Here’s a tease. Stay tuned!

David Aaron Clark, R.I.P.

I just learned that an old friend of mine died last week.

In the late ’80s/early ’90s, David Aaron Clark was an editor of mine at Screw. I wrote my comics review column, “Panel Debasement,” for him (the one that a few posts ago I lamented having written—or at least the way I wrote it). My friend John Walsh—who at the time was also an editor at Screw—suggested I write the column in the first place, but for whatever reason—conflict of interest? No, that sounds too professional—he passed along the actual editing to Dave. Dave and John had a funny working relationship/friendship. Very prickly; lots of insults and verbal sparring.

Dave was the basis for the character Elvis Seward Foucault III (so-named because Dave loved Elvis Presley, William Seward Burroughs II and Michel Foucault) in my comic series Minimum Wage (later Beg the Question).

When Dave first arrived at Screw he was just a portly nerd whose path had led him there. He’d had loftier literary/journalistic ambitions, but such is life. He dressed in jeans and sweaters and was clean-shaven. He found a groove at Screw and fit in. He was a funny guy, but dry of wit. Very dry. Walsh’s humor was broader and he scored laughs easily. Dave’s humor kind of snuck up on you.

Dave and I hung out fairly often in those days. But he metamorphosed during that time period. The sweaters and jeans were replaced by leather pants, full-sleeve tattoos, elaborate facial hair and big leather dusters and cowboy hats. All black. His personal life was often tumultuous and took an irreversibly dark turn with the suicide of Jean, his then girlfriend and band mate (he had a band called the False Virgins). This forever altered him (as such an event would do to anyone with a pulse). Dave always seemed in conflict with his lapsed—but never cured—Catholicism. Though a self-professed agnostic, he took to sporting a large crucifix pendant. Guilt was a big theme with him and after Jean’s death he started a course of both personal and public atonement.

He started performing S&M rituals in videos and onstage. He’d be cut up and pissed on. Later on it provided darkly comic fodder for my cartoon version of him, but at the time and in reality it was disturbing and I wanted nothing to do with it. He often mocked me for my “cloistered” and “safe” approach to life. His humor became more acid. When one goes from being a spectator of porn to a participant, it’s a slippery slope. After some ugly tabloid incidents in his personal life he left Screw and headed west to pursue creating porn full time. We lost touch, though on occasion we’d run into each other. Last I saw him in the flesh was at the San Diego Comic Con. I wasn’t sure why he was there, but I suspect that you could take the boy away from the geek, but you couldn’t remove the geek from the boy. He still liked comics, etc. I hadn’t seen him since before I’d started Minimum Wage and I wasn’t sure if he’d seen it. He had and he told me he thought it was “brilliant.” His word. But it meant a lot to me to have his blessing.

I tried many times over the years to reconnect with Dave, via the Internet. We sometimes would start a correspondence but it always derailed almost immediately. I think maybe my life was just a little too prosaic for him. He’d chosen his path and the two didn’t overlap, even via email. About two months ago I tried again on Facebook. I wrote him and he wrote back and not much was said and that was it.

He was 49. He was never a likely candidate for the Old Pornographers’ Home, but still.

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